Review: Les Misérables (Part II)
Last time, I discussed the new film version of Les Misérables and its context in the history of the novel, the musical, and the proliferation of other adaptations. This time, […]
Last time, I discussed the new film version of Les Misérables and its context in the history of the novel, the musical, and the proliferation of other adaptations. This time, […]
I have a theory that the first really meaty book a teenager voluntarily sinks zir teeth into will dominate zir philosophy for a long time, often for the rest of […]
Now the holly bears a berry as white as the milk, And Mary bore Jesus, who was wrapped up in silk: And Mary bore Jesus Christ our Saviour for to […]
Previously I presented my Mary Sue test, a (hopefully) more nuanced version of the many internet quizzes that help beginning authors determine if their characters are too unrealistic. Today, however, […]
The Mary Sue, as a concept, is a useful but oft-misapplied tool. Its utility, I think, is primarily that it is a way to teach inexperienced writers about context, framing, […]
Previously, I took issue with the changes made to the characters in the film versions of The Lord of the Rings. However, I acknowledge that film is a different medium […]
The Hobbit part one of eleventy billion approaches, and Peter Jackson has valiantly attempted to recast dwarves as action heroes after spending three movies establishing them as goofy comic relief. […]
Think back for a minute to the last time you read a piece of Chinese literature for a class. Asian studies majors may skip this exercise; the question is, for […]
Lest anyone be alarmed by the title of this post, I hasten to assure you that it’s purely literary in nature: To the best of my knowledge, Neil Gaiman is […]